Moscow Funeral League in association with Solitude Productions presents «Heart With Bread» — a new full-length album by funeral doom Avant-gardists QUERCUS!

Cat. number: MFL 015 / SP.115-16
Release date: 25.04.2016.
Format: CD (jewel box), 8-pages booklet.
Total time: 61 min.

quercus _promo1
QUERCUS: «We are looking up to the nature and life, we are looking up to the pipe organ, to the instrument of thousand voices. Symbols of passing time and eternity. Touches of aeons. We feel the need to celebrate both of these elaborated mechanism, nature and organ. In the temple we find nature, in the nature we find the temple. Both are transcended by great symphonic harmony. There is also melancholy in our praise, pain and sadness of non-return are parts of our admiration. How helter-skelter and endless the being can be».

Moscow Funeral League in association with Solitude Productions presents «Heart With Bread» — a new full-length album by funeral doom Avant-gardists QUERCUS!: 2 комментария

  1. Review
    Hypnos Webzine
    Posted on 16 novembre 2016

    Tra i vari dischi che sto pasturando da prima dell’estate, e su cui ancora non mi ero deciso a scrivere qualcosa, c’è sicuramente questo nuovo album del trio ceco dal nome latino di Quercus. Guidati dal tastierista Markko, la band originaria di Plzen, la città famosa per essere la sede della birra Pilsner Urquell, vanta una militanza più che decennale nella scena musicale e arriva con questo “Heart With Bread” al traguardo del terzo full-lenght. Essendo rilasciato dalla Solitude Productions con la collaborazione della Moscow Funeral League Records, il genere portato avanti da tale gruppo non può che essere connesso al Doom o affini, sebbene il loro sound possieda una speciale particolarità, ossia quella di utilizzare come strumento guida dei loro lunghi pezzi un organo. Sebbene un tentativo piuttosto estremo venne fatto da quel pazzoide di Stijn van Cauter nel suo progetto Organium, i Quercus lo sfruttano per creare un ponte tra le lentezze estreme del Funeral Doom e passaggi strumentali più melodici e fruibili dal sapore vagamente psichedelico, che in certi momenti sembrano portare a galla inaspettati richiami ai primi Katatonia. Un perfetto esempio è il brano d’apertura “A Canticle For The Pipe Organ”, semplicemente fantastico con la sua chitarra elettrica e il suo organo che si intrecciano e si inseguono per più di venti minuti lungo linee melodiche dal sapore quasi bachiano. Oppure un’altra traccia degna di menzione è senza alcun dubbio “My Heart’s In The Highlands”, dall’andamento più canonico ma dotata di un feeling che oserei dire quasi ancestrale e capace di richiamare alla mente immagini di foreste incontaminate. La voce di Lord Morbivod, che forse alcuni di voi ricorderanno anche come membro dei Stíny Plamenu, è cupa e cavernosa come da copione, ma comunque ben innestata sulle trame sonore create dalla band. “Heart With Bread” non è un disco facile, ad eccezione della già citata prima traccia che si stampa rapidamente in testa, e tenere testa a brani con durata superiore ai dieci minuti non è per niente scontato, ma credo che per gli amanti del Doom questo non risulterà affatto un problema. Da scoprire.

    Autore: KarmaKosmiK

  2. Review

    To celebrate their fifteenth year of existence, Quercus present us their third full length album, two years after Sfumato. This Czech act, with members from Umbrtka (vocalist Ondřej ‘Lord Morbivod’ Klášterka and multi-instrumentalist Lukáš Kudrna, with newly recruited keyboardist Marek ‘Markko’ Pišl), recorded this lengthy five-tracker over a period of almost one year. One piece clocks seven minutes, three of them over ten minutes, and the opener lasts for more than twenty-two minutes, so prepare for an enduring yet adventurous sonic journey! Oh yes, mind the two labels involved: Moscow Funeral League and Solitude Prod., so I guess you might have an idea of what’s next to come – indeed, a mixture of Grindcore and Punk-Pop, Harsh Electronics … Oops, I meant something else, of course…

    Opener A Canticle For The Pipe Organ (22:13) starts with an introduction with, indeed, pipe organ (church organ) – and despite my passion for churches (unless they’re burning…), I’ve always adored the full, bombastic sound created by this tiny little instrument. No, seriously, no matter whether you like the melody; the sound of that organ is just so fabulous (personal opinion; you do not need to agree). After about two minutes, church bells take over the lead, and close to three minutes, finally the first guitars join in. the track evolves towards the core business of Quercus: performing desolate, melancholic and grieving Doom-Death.

    Quercus fundamentally bring about everything that characterises the essence of the scene: very deep, almost gurgling grunts, a massive rhythm section (quite fine bass melodies and slowly pounding yet prominent drum patterns), emotional (twin) leads, and heavy guitar support with fine melodious structures. In performance, the better part is not renewing, yet rather paying tribute to the origins of the scene. But quite important in this band’s case is the use of many keyboard layers (with that aforementioned church organ alike sound), both as background support as well as lead melody. They are not used as means to turn the whole into some cheap gothic-alike pulp [(*)]; on the contrary, I think that those synths strengthen the negativity of the whole experience. Besides, Heart With Bread finds quite of its inspiration with the Funeral Doom scene, and just like acts such as Thergothon, Evoken, My Shameful or Monolithe, Quercus succeed to find the perfect mixture in between the funereal aspects of the Doom scene, and the old styled tradition of the ‘classic’ Doom-Death current.

    [(*) please do mind that there’s nothing wrong with ‘real’ Gothic Music; …for several of the more orchestral (synth) passages on this album are reminiscent, in one way or another, to the earliest efforts of Lacrimosa, when the latter was still ‘true’ – remember the pre-Satura-era…]

    Another distinctive element is the injection of quite ‘different’ excerpts, such as a couple of neo-progressive and avant-garde chapters (limited yet quite typifying; remarkable yet not exaggerated), or the plenty semi-divine symphonic orchestrations. And what about the sound quality? Well, this one actually fits perfect to the stylistic approach, for being quite professional in mix (you can clearly distinct every instrument used, and none of them overpowers the others), and balancing in between unpolished and clean (translation: little rough-edged yet not noisy at the one hand, and decently produced, yet luckily not with a clinically sterile modern result at the other hand). This strengthens the organic approach this band is surely (clearly) aiming for.

    A final word about the last piece, My Heart’s In The Highlands. This one is based on a sacral and integer symphony by Estonian esoteric / classical composer Arvo Pärt (who developed the so-called tintinnabuli-style). The lyrics are based on a poem by Scotland-born Robert Burns (16th century), by the way. It’s quite remarkable to notice that Quercus succeed to maintain the integrity and divinity of the original classical piece, yet translated through their self-developed funereal craftsmanship. This cover fits impeccably to the essence of Quercus’ Doom Epic!

    Author: Ivan Tibos.

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